- Recording, musical
Authors: Royal S. Brown (1994) - In this bold, insightful book, film and music scholar and critic Royal S. Brown invites readers not only to 'hear' the film score, but to understand it in relation to what they 'see'. Unlike earlier books, which offered historical, technical, and socio political analysis, "Overtones and Undertones" draws on film, music, and narrative theory to provide the first comprehensive aesthetics of film music.
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- Recording, musical
Authors: Waldo Selden Pratt (1907) - THE present book is the outgrowth of a fragmentary syllabus for classes that was issued in 1897. It is meant to be distinctly a book of reference for students rather than a literary or criti-cal survey of a few salient aspects of the subject, or a specialist's report of original research. Aiming at a certain degree of encyclopzedic fullness, it brings together facts and conclusions from a great variety of sources. Much labor has been expended in grouping the material in such a way as to give a systematic impression of the enormous field in view.
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- Recording, musical
Authors: Dan Coates (1999) - Responding to popular demand, Dan Coates has compiled a complete collection of 77 great songs for all occasions, to be played by the advanced piano player. Titles include love and wedding favorites, Broadway standards, pop and country ballads, movie and TV hits, and many more. Two selections Colors of the Wind and Star Wars are included on the Royal Conservatory of Music Popular Selection List (2009 Ed.) (These arrangements were originally published in item #AF9842.)
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- Recording, musical
Authors: Amy Appleby (1998) - A collection of the world's finest classical and popular music for the developing pianist. Features nearly 140 masterpieces of every musical era in rewarding piano arrangements. Includes favorite piano solos by Bach, Beethoven, Brahms, Chopin, Debussy, Faure, Handel, Haydn, Scott Joplin, Mozart, Tchaikovsky and many others.
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- Recording, musical
Authors: John Watkinson (1994) - An Introduction to Digital Audio brings all the fundamentals of digital audio to a wide audience. Every topic is described in plain English, from first principles, in John Watkinson's unique, accessible style. There are reasons instead of facts and practical applications to contrast with the theory.
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- Recording, musical
Authors: Chuck Sher (1993) - The only book specifically designed to help bass players learn how to create beautiful solos. Includes 2 CDs of Marc Johnson (bassist with Bill Evans, Stan Getz, etc.) playing each exercise and many transcriptions of what Marc plays on the CDs. Also includes transcribed solos by Eddie Gomez, John Patitucci, Jimmy Haslip and others.
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- Recording, musical
Authors: John Xepoleas (1994) - Six major artists share their vast knowledge and experience in jazz, rock, funk, fusion and Latin bass. Lincoln Goines, Jimmy Haslip, Alphonso Johnson, Rocco Prestia, Gary Willis, and Victor Wooten cover laying down a groove, thumb playing and popping, improvising, expanding your jazz vocabulary and mastering modern harmonic and melodic concepts.
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- Recording, musical
Authors: Beatles (1996) - Piano Solo Personality). 11 classic Beatles songs specially arranged in jazz-style for piano solo...complete with guitar chord symbols. Songs include: All My Loving * And I Love Her * The Fool on the Hill * Here, There and Everywhere * Michelle * Yesterday * and more.
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- Recording, acoustical
Authors: Roy Shuker (1994) - Roy Shuker's study encompasses every aspect of popular music, from the history of the record industry to concept of the musician', from rock as cultural politics to MTV. Roy Shuker examines the music press; the impact of music videos; public performance; fans and subcultures, and the nature of the pop star'. Understanding Popular Music includes case studies of contemporary icons such as Frank Zappa, Prince, Lenny Kravitz and Madonna, along with full bibliography and song listings and an annotated guide to the key texts discussed.
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- Recording, acoustical
Authors: John Rink (1998) - This handbook re-evaluates the concertos against the traditions that shaped them so that their many outstanding qualities can be fully appreciated. It describes their genesis, Chopin's own performances and his use of them as a teacher.
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