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Tài liệu phù hợp với tiêu chí tìm kiếm:
  • Recording, musical


  • Tác giả : Roy Shuker (2001)

  • Understanding Popular Music Culture is an accessible and comprehensive introduction to the history and meaning of popular music. It begins with a critical assessment of the different ways in which popular music has been studied and the difficulties and debates which surround the analysis of popular culture and popular music.

  • Recording, musical


  • Tác giả : Robert O. Gjerdingen (2007)

  • Music in the Galant Style is an authoritative and readily understandable study of the core compositional style of the eighteenth century. Gjerdingen adopts a unique approach, based on a massive but little-known corpus of pedagogical workbooks used by the most influential teachers of the century, the Italian partimenti.

  • Recording, musical


  • Tác giả : Ann Wennerstrom (2001)

  • Recently there has been a growing interest among discourse analysts in incorporating prosody into the analysis of spoken language. Wennerstrom considers the role of prosody in a variety of discourse genres and offers an over-all framework within which future analysis might continue.

  • Recording, musical


  • Tác giả : David Aldridge (2005)

  • This book shows, for the first time, how these two areas of work can creatively complement one another, proving beneficial to both disciplines. Each chapter is written by a leading researcher and practitioner in the field, and the book covers a wide spectrum of approaches within different settings. Beginning with methodological and musicological approaches to case studies, the book then moves on to more specific topics such as the use of case studies in an interactive play setting and in music therapy with the elderly.

  • Recording, musical


  • Tác giả : Byron Almén (2006)

  • Approaches to Meaning in Music presents a survey of the problems and issues inherent in pursuing meaning and signification in music, and attempts to rectify the conundrums that have plagued philosophers, artists, and theorists since the time of Pythagoras. This collection brings together essays that reflect a variety of diverse perspectives on approaches to musical meaning.

  • Recording, musical


  • Tác giả : Don Cusic (2008)

  • Discovering Country Music chronicles the incredible evolution of country music in America - from the fiddle to the pop charts - and provides an insightful account of the reasons and motives that have determined its various transformations and offshoots over the years.

  • Recording, musical


  • Tác giả : Joy S. Berger (2006)

  • Music of the Soul guides the reader through principles, techniques, and exercises for incorporating music into grief counseling, with the end goal of further empowering the grieving person.

  • Recording, musical


  • Tác giả : Richard Mark French (2007)

  • This book is for experienced luthiers and guitar designers in the industry, novice builders wishing to improve their designs, and guitar owners interested in knowing more about their instruments. It includes the most important technical information gathered from many sources, including the academic literature and the author's own work, presented here in a clear, actionable form with a minimum of mathematics

  • Recording, musical


  • Tác giả : Paul Middleton (2008)

  • This practical music technology workbook enables students and teachers to get the best possible results with the available equipment. The workbook provides step-by-step activities for classroom-based and independent project work, covering the skills and techniques used in modern music production.

  • Recording, musical


  • Tác giả : Nicholas Cook (2000)

  • The world teems with different kinds of music-traditional, folk, classical, jazz, rock, pop-and each type of music tends to come with its own way of thinking. Drawing on a wealth of accessible examples ranging from Beethoven to Chinese zither music, Nicholas Cook attempts to provide a framework for thinking about all music. By examining the personal, social, and cultural values that music embodies, the book reveals the shortcomings of traditional conceptions of music, and sketches a more.