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  • Recording, musical


  • Authors: Eduardo Reck Miranda (2002)

  • Previously published as Computer Sound Synthesis for the Electronic Musician, this second edition features a foreword by Jean-Claude Risset and provides new information on: the latest directions in digital sound representation , advances in physical modelling techniques; granular and pulsar synthesis; PSOLA technique; humanoid voice synthesis; artificial intelligence; evolutionary computing.

  • Recording, acoustical


  • Authors: John Rink (1998)

  • This handbook re-evaluates the concertos against the traditions that shaped them so that their many outstanding qualities can be fully appreciated. It describes their genesis, Chopin's own performances and his use of them as a teacher.

  • Recording, musical


  • Authors: Amedeo Balbi (2010)

  • Ever since its infancy, humankind has been seeking answers to some very basic and profound questions. Did the Universe begin? If it did, how old is it, and where did it come from? What is its shape? What is it made of? Fascinating myths and brilliant in- itions attempting to solve such enigmas can be found all through the history of human thought.

  • Recording, musical


  • Authors: Philippe Guillaume (2013)

  • The topics that are treated include sound propagation, Fourier and time-frequency analysis, psychoacoustics, analog and digital signal processing theory, computer science and MP3 sound compression, and of course ...music!

  • Recording, musical


  • Authors: Allan F. Moore (2003)

  • The books presents a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk) and deals with issues as broad as methodology, modernism, postmodernism, Marxism and communication.

  • Recording, musical


  • Authors: Tia DeNora (2004)

  • Music in Everyday Life uses a series of ethnographic studies - an aerobics class, karaoke evenings, music therapy sessions and the use of background music in the retail sector - as well as in-depth interviews to show how music is a constitutive feature of human agency.

  • Recording, musical


  • Authors: Gudrun Aldridge (2008)

  • They make recommendations for choosing an appropriate method of analysing melodic improvisation, and utilise case studies to demonstrate these analyses in practice. They show how the interaction between patient and therapist is affected by the patient's melodic statements, and how the process of improvisation offers patients a chance to transform their inner emotions into externalised expressions.

  • Recording, musical


  • Authors: William Duckworth (2007)

  • This new edition also includes an expanded reference to the gui-tar and popular music, and now contains a discussion of tablature and an Appendix on Basic Guitar Chords. The final chapter ends with a comprehensive creative assignment—to write a song and play or sing it for the class.

  • Recording, musical


  • Authors: Margaret Lucy Wilkins. (2006)

  • Creative Music Composition is designed to be an introductory textbook for music students. "Creative composition"-composing in your own style, rather than in the style of a composer of the past-is embraced by music educators not only for composition students, but for beginning performers and music educators, and is often offered to all music students and non-music majors who wish to enhance their musical creativity.

  • Working Paper


  • Authors: Trịnh Xuân Dũng (2016)

  • Quản trị kinh doanh khách là một vấn đề lớn, mỗi người có cách nhìn nhận, nghiên cứu từ các góc độ khác nhau, nhưng với cuốn giáo trình này chúng tôi chủ yếu tập trung vào yếu tố con người, trong đó bao gồm khách đến nghỉ tại khách sạn và người phục vụ trong khách sạn, người quản lý khách sạn.