- Recording, musical
Authors: Jonathan Cross (2003) - This Companion reflects the breadth of Stravinsky's achievement and influence in essays by leading international scholars on a wide range of topics. It is divided into three parts dealing with the contexts within which Stravinsky worked (Russian, modernist and compositional), with his key compositions (Russian, neoclassical and serial), and with the reception of his ideas (through performance, analysis and criticism). The volume concludes with an interview with the leading Dutch composer Louis Andriessen and a major re-evaluation of 'Stravinsky and Us' by Richard Taruskin.
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- Recording, acoustical
Authors: Roy Shuker (1994) - Roy Shuker's study encompasses every aspect of popular music, from the history of the record industry to concept of the musician', from rock as cultural politics to MTV. Roy Shuker examines the music press; the impact of music videos; public performance; fans and subcultures, and the nature of the pop star'. Understanding Popular Music includes case studies of contemporary icons such as Frank Zappa, Prince, Lenny Kravitz and Madonna, along with full bibliography and song listings and an annotated guide to the key texts discussed.
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- Recording, musical
Authors: Sebastian Schmidt (2016) - The present book proposes a systematic understanding about the conditions, mechanisms, influences, and processes evolving into a creative behavior in music, based on interdisciplinary perspectives of the cognitive sciences.In his research study, Sebastian Schmidt focuses on so-called musical extrapolations' processes which bring the elusive quality of music into mental existence by creating extrapolations about possible future occurring events, their musical meanings, and the interrelations of their meanings. These processes, involved while music is being listened to and composed, are defined as the result of implicit and explicit problem-solving processes which are guided in tangible ways by factors of intrinsic activities and motivation, pre-disposed and experience-based structure...
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- Recording, musical
Authors: Simon Langford (2014) - Digital Audio Editing gives you the techniques, from the simplest corrective editing like cutting, copying, and pasting to more complex creative editing, such as beat mapping and time-stretching. You'll be able to avoid unnatural-sounding pitch correction and understand the potential pitfalls you face when restoring classic tracks.
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- Recording, musical
Authors: Margaret Pikes (2020) - "Owning Our Voices offers a unique, first-hand account of working within the Wolfsohn-Hart tradition of extended voice work by Margaret Pikes, a founder member of the Roy Hart Theatre and an acclaimed voice teacher in her own right. This dynamic publication fuses Pikes' personal account of her own vocal journey as a woman within this, at times, male-dominated tradition, alongside an overview of her particular pedagogical approach to voice work, and is accompanied by digital footage of Pikes at work in the studio with artist-collaborators and written descriptions of scenarios for teaching. For the first time, Margaret Pikes' uniquely holistic approach to developing the expressive voice through sounding, speech, song and movement has been documented in text and on film, offering reade...
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- Recording, musical
Authors: Andrew Hagerman (2005) - This book eases beginning musicians through that first crucial step into the larger world of digital production. Utilizing the most basic of materials, all included on the CD-ROM, to their greatest advantage, this book guides readers through the process of building a finished product.
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- Recording, musical
Authors: Colin Lawson (2009) - The Historical Performance of Music: An Introduction has been devised to complement the Cambridge Handbooks to the Historical Performance of Music, a series of short volumes on early music performance which are specific to particular instruments. These handbooks present and interpret evidence from significant primary sources on matters such as technique, style and expression, and (like the present volume) offer suggestions for further reading and study.
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- Recording, musical
Authors: David Breitman (2021) - The central portion of the book discusses the pianos and piano music of Haydn and Mozart, Beethoven, Schubert, and Chopin, as well as the special place of the clavichord in eighteenth-century keyboard culture. A wide range of musical examples demonstrates how composers were influenced by the instruments they knew, and how that understanding can help today's performers. The book concludes with a passionate plea for individual creativity and autonomy, authentic voices for our own time.
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- Recording, musical
Authors: Michael Hewitt (2008) - Music Theory for Computer Musicians explains these music theory fundamentals in the most simple and accessible way possible. Concepts are taught using the MIDI keyboard environment and today's computer composing and recording software.
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- Recording, musical
Authors: Scott Jarrett (2008) - Music Composition For Dummies explains how to use music theory to write music in a variety of forms. It introduces the basic chord construction and shows the reader how to compose music both with chords and melody, develop simple melodic motifs and themes into longer compositions, arrange compositions, create scores, and select the right instruments and voicing to express musical ideas. Music Composition For Dummies also tells how to create popular songs, classically structured pieces, film and television scores, videogame soundtracks, and more using both traditional and improvisational techniques.
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