- Recording, musical
Authors: Max Wilk (2007) - This book tells the full story of the making of the show, from the first rough ideas through the tryouts, fine tuning, and eventual triumph - all from an eyewitness to the events themselves. Wilk brings a musical theater historian's eye to the work, along with his passionate involvement as a witness to this history. For anyone and everyone who has ever thrilled to The Sound of Music, this book will be a must.
|
- Recording, musical
Authors: Gregory Young (2022) - -
|
- Recording, musical
Authors: David Pearl (2009) - The ideal hands-on reference for piano students who want to strengthen their skills and refine their technique--and the perfect companion and next step to the bestselling Piano For Dummies . Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.
|
- Recording, musical
Authors: David Pearl (2022) - This book gives you online access to audio files of the exercises along with digital access to the sheet music shared in the book. Learn from an experienced pianist, composer, and arranger, and start making beautiful music, the Dummies way!
|
- Recording, musical
Authors: Amy Appleby (1998) - A collection of the world's finest classical and popular music for the developing pianist. Features nearly 140 masterpieces of every musical era in rewarding piano arrangements. Includes favorite piano solos by Bach, Beethoven, Brahms, Chopin, Debussy, Faure, Handel, Haydn, Scott Joplin, Mozart, Tchaikovsky and many others.
|
- Recording, musical
Authors: John Watkinson (1994) - An Introduction to Digital Audio brings all the fundamentals of digital audio to a wide audience. Every topic is described in plain English, from first principles, in John Watkinson's unique, accessible style. There are reasons instead of facts and practical applications to contrast with the theory.
|
- Recording, musical
Authors: John Neubauer (2017) - This work, completed by Neubauer on the very eve of his death in 2015, complements both his benchmark 'The Emancipation of Music from Language' (Yale UP 1986) and his 'History of the Literary Cultures of East-Central Europe' (John Benjamins, 2004-10). It thematizes Romantic interest in oral speech, its poetical usage in music and musical discourse, and its political usage in the national-communitarian cult of the vernacular community. Subtly and with great erudition, Neubauer traces in different genres and fields the many transnational cross-currents around Romantic cultural criticism and writings on music and language, offering, not only fresh analytical insights but also a rich account of the interaction between Romantic aesthetics and cultural nationalism.
|
- Recording, musical
Authors: James Beauchamp (2010) - This book contains a complete and accurate mathematical treatment of the sounds of music with an emphasis on musical timbre. The book spans the range from tutorial introduction to advanced research and application to speculative assessment of its various techniques. All the contributors use a generalized additive sine wave model for describing musical timbre which gives a conceptual unity, but is of sufficient utility to be adapted to many different tasks.
|
- Recording, musical
Authors: Nicole Hodges Persley (2022) - "Sampling and Remixing Blackness is a timely and accessible book that examines the social ramifications of cultural borrowing and personal adaptation of Hip-hop culture by non-Black and non-African American Black artists in theater and performance. In a cultural moment where Hip-hop theater hits such as Hamilton offer glimpses of Black popular culture to non-Black people through musical soundtracks, GIFs, popular Hip-hop music, language, clothing, singing styles and embodied performance, people around the world are adopting a Blackness that is at once connected to African American culture--and assumed and shed by artists and consumers as they please. As Black people around the world live a racial identity that is not shed, in a cultural moment of social unrest against anti-blackness...
|
- Recording, musical
Authors: Gabriel Marcel (2005) - Includes bibliographical references and index.
He uses music to re-examine many ideas about language, subjectivity, metaphysics, truth and ethics, and he suggests that music can show how the predominant images of language, communication, and meaning in contemporary philosophy may be lacking in essential ways. His book will be of interest to philosophers, musicologists, and all who are interested in the relation between music and philosophy.
|