- Recording, musical
Authors: Gabriel Marcel (2005) - Includes bibliographical references and index.
He uses music to re-examine many ideas about language, subjectivity, metaphysics, truth and ethics, and he suggests that music can show how the predominant images of language, communication, and meaning in contemporary philosophy may be lacking in essential ways. His book will be of interest to philosophers, musicologists, and all who are interested in the relation between music and philosophy.
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- Recording, musical
Authors: Bob Dylan (2002) - Pick up your acoustic guitar and strum along with the backing tracks to six classic Dylan songs: Visions of Johanna , Tangled Up in Blue, Just Like a Woman, Lay Lady Lay ,Things Have Changed ,You're a Big Girl Now.
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- Recording, musical
Authors: Aniruddh D. Patel (2008) - This book provides the first synthesis, arguing that music and language share deep and critical connections, and that comparative research provides a powerful way to study the cognitive and neural mechanisms underlying these uniquely human abilities.
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- Recording, musical
Authors: Russ Martin (2009) - This new edition has been updated throughout to reflect current needs and practices- revised and placed in a modern context, providing a guide to the theory of sound and sampling in the context of software and hardware that enables sound making.
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- Book
Authors: Joe Jeff Goldblatt (2002) - In this Third Edition of his definitive guide to the profession, Dr. Joe Goldblatt, CSEP, imparts the logistical know--how and the theoretical understanding needed to take advantage of the countless opportunities in this rapidly growing field. From developing the event vision to managing vendor contracts, from event advertising to the latest in event management technology, Dr. Goldblatt provides authoritative guidance on every aspect of this complex and demanding profession.
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- Recording, musical
Authors: Andrew Bowie (2009) - He uses music to re-examine many ideas about language, subjectivity, metaphysics, truth and ethics, and he suggests that music can show how the predominant images of language, communication, and meaning in contemporary philosophy may be lacking in essential ways. His book will be of interest to philosophers, musicologists, and all who are interested in the relation between music and philosophy.
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- Recording, musical
Authors: Tony Wigram (2002) - This book reflects the many components of such diversity, and is a thoroughly comprehensive guide to accessing and understanding the ideas, theory, research results and clinical outcomes that are the foundations of this field. Providing a detailed insight into the field of music therapy from an international perspective, this book enables the reader to see the complete picture of the multifaceted and fascinating world that is music therapy.
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- Recording, musical
Authors: Jonathan Cross (2003) - This Companion reflects the breadth of Stravinsky's achievement and influence in essays by leading international scholars on a wide range of topics. It is divided into three parts dealing with the contexts within which Stravinsky worked (Russian, modernist and compositional), with his key compositions (Russian, neoclassical and serial), and with the reception of his ideas (through performance, analysis and criticism). The volume concludes with an interview with the leading Dutch composer Louis Andriessen and a major re-evaluation of 'Stravinsky and Us' by Richard Taruskin.
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- Recording, musical
Authors: Andrew Hagerman (2005) - This book eases beginning musicians through that first crucial step into the larger world of digital production. Utilizing the most basic of materials, all included on the CD-ROM, to their greatest advantage, this book guides readers through the process of building a finished product.
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- Recording, musical
Authors: Colin Lawson (2009) - The Historical Performance of Music: An Introduction has been devised to complement the Cambridge Handbooks to the Historical Performance of Music, a series of short volumes on early music performance which are specific to particular instruments. These handbooks present and interpret evidence from significant primary sources on matters such as technique, style and expression, and (like the present volume) offer suggestions for further reading and study.
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