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  • Recording, musical


  • Authors: Kurt Vonnegut (2000)

  • Kurt Vonnegut's first novel spins the chilling tale of engineer Paul Proteus, who must find a way to live in a world dominated by a supercomputer and run completely by machines. Paul's rebellion is vintage Vonnegut--wildly funny, deadly serious, and terrifyingly close to reality.

  • Recording, musical


  • Authors: Jay Dorfman (2022)

  • "Technology is an increasingly popular part of music education in schools that attracts students to school music who might not otherwise be involved. In many teacher preparation programs, music technology is an afterthought that does not receive the same extensive treatment as do traditional areas of music teaching such as band, orchestra, choir, and general music. This book helps to establish a theoretical and practical foundation for how to teach students to use technology as the major means for developing their musicianship. Including discussions of lesson planning, lesson delivery, and assessment, readers will learn how to gain comfort in the music technology lab. TPTBMI also includes "profiles of practice" that dive into the experiences of real teachers in music technology clas...

  • Recording, musical


  • Authors: Johannes Eschen (2002)

  • This book brings together the professional experiences of eminent analytical music therapists from Europe and the USA. The book examines the origins and theory of AMT (including a contribution on the subject from Mary Priestley), before exploring its uses in various contexts.

  • Recording, musical


  • Authors: Martin James (2020)

  • It was the true sound of the beating heart of 1990s UK. A melting pot of Britain's multi-cultural urban hardcore rave distilled via the journey from Jamaica's Tivoli Gardens soundsystem clashes, through the UK's inner city blues parties and onto jazz-funk all-dayers and soul weekenders. The jungle/drum & bass nexus was like nothing else the world had experienced before.

  • Recording, musical


  • Authors: Blake Neely (1998)

  • Piano For Dummies starts at the very beginning and walks you through everything you need to know to turn that oversized hunk of furniture into an instrument that can make beautiful music. If you don't know how to read music, this book explains in friendly, uncomplicated language all the basics of music theory and applying it to playing the piano.

  • Recording, musical


  • Authors: Alive Peter Nickol (2007)

  • It leads you carefully through the basics of pitch, rhythm, keys, scales, chords, and much more, building your knowledge chapter by chapter until you are able to read music with ease. The visual index of musical symbols laid out at the start will make clear the task at hand. Reference to common instruments and familiar tunes will help bring your learning to life, while self-testing and chapter summaries ensure that you develop and retain this new skill

  • Recording, musical


  • Authors: Madonna (2000)

  • "Music" is a song recorded by American singer Madonna as the title track for her eighth studio album (2000). It was released as the lead single from the album on August 21, 2000, by Maverick and Warner Bros. Records. "Music" was inspired by a Sting concert Madonna attended and was written and produced by her with Mirwais Ahmadzaï. It is a disco, electro-funk and dance-pop song in a static key of G minor. Madonna's vocals are electronically manipulated in the track, with the lyrics having political and social undertones and reiterating the uniting power of music.

  • Recording, musical


  • Authors: Jeff Gutcheon (1997)

  • This book is designed for the pianist with some experience who wants to play professional-sounding rock piano. It covers boogie, gospel, country shuffle, pop-rock, R&B, and funk. There are tunes and exercises to work with.

  • Recording, musical


  • Authors: Percy Goetschius (2020)

  • This manual treats of the structural designs of musical composition, not of the styles or species of music. It undertakes the thorough explanation of each design or form, from the smallest to the largest; and such comparison as serves to demonstrate the principle of natural evolution, in the operation of which the entire system originates. This explanation—be it well understood—is conducted solely with a view to the Analysis of musical works, and is not calculated to prepare the student for the application of form in practical composition.

  • Recording, musical


  • Authors: David J. Hargreaves (1986)

  • This book sets out the psychological basis of musical development in children and adults. The study has two major objectives: to review the research findings, theories and methodologies relevant to the developmental study of music; and to offer a framework within which these can be organised so as to pave the way for future research.