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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Dobbins, Bill | - |
dc.date.accessioned | 2021-12-05T02:53:35Z | - |
dc.date.available | 2021-12-05T02:53:35Z | - |
dc.date.issued | 2015 | - |
dc.identifier.uri | https://thuvienso.thanglong.edu.vn/handle/TLU/1167 | - |
dc.description.abstract | Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans, and Clare Fischer. Techniques of melody harmonization, linear writing, and counterpoint for 2, 3, 4, and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers. Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano or for following the performances on the CD. An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for small jazz ensembles. A useful discography is included at the end of each chapter. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Advance Music | en_US |
dc.subject | Âm nhạc | Giai điệu | Jazz | Thanh nhạc | en_US |
dc.title | Jazz Arranging and Composing : Bill Dobbins A Linear Approach | en_US |
Appears in Collections | Thanh nhạc, du lịch, việt nam học |
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