Item Infomation
Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Teófilo Espada-Brignoni | - |
| dc.date.accessioned | 2024-08-03T07:42:13Z | - |
| dc.date.available | 2024-08-03T07:42:13Z | - |
| dc.date.issued | 2022 | - |
| dc.identifier.uri | http://thuvienso.thanglong.edu.vn//handle/TLU/10509 | - |
| dc.description.abstract | In this book the author analyzes the autobiographies of Baby Dodds, Sidney Bechet, Pops Foster, and Lee Collins by integrating social, psychological, and literary theories. He argues that the autobiographies of New Orleans jazz musicians construct a sense of self and the collective grounded in ideas about authenticity | vi |
| dc.language.iso | en | vi |
| dc.subject | Jazz musicians | Autobiography | Authenticity (Philosophy) | Jazz | Nhạc sĩ nhạc jazz | vi |
| dc.title | The performance of authenticity : the makings of jazz and the self in autobiography | vi |
| dc.type | Sách/Book | vi |
| Appears in Collections | Âm nhạc | |
Files in This Item:
