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  • Recording, musical


  • Authors: Colin Lawson (2009)

  • The Historical Performance of Music: An Introduction has been devised to complement the Cambridge Handbooks to the Historical Performance of Music, a series of short volumes on early music performance which are specific to particular instruments. These handbooks present and interpret evidence from significant primary sources on matters such as technique, style and expression, and (like the present volume) offer suggestions for further reading and study.

  • Recording, musical


  • Authors: David Breitman (2021)

  • The central portion of the book discusses the pianos and piano music of Haydn and Mozart, Beethoven, Schubert, and Chopin, as well as the special place of the clavichord in eighteenth-century keyboard culture. A wide range of musical examples demonstrates how composers were influenced by the instruments they knew, and how that understanding can help today's performers. The book concludes with a passionate plea for individual creativity and autonomy, authentic voices for our own time.

  • Recording, musical


  • Authors: Michael Hewitt (2008)

  • Music Theory for Computer Musicians explains these music theory fundamentals in the most simple and accessible way possible. Concepts are taught using the MIDI keyboard environment and today's computer composing and recording software.

  • Recording, musical


  • Authors: Scott Jarrett (2008)

  • Music Composition For Dummies explains how to use music theory to write music in a variety of forms. It introduces the basic chord construction and shows the reader how to compose music both with chords and melody, develop simple melodic motifs and themes into longer compositions, arrange compositions, create scores, and select the right instruments and voicing to express musical ideas. Music Composition For Dummies also tells how to create popular songs, classically structured pieces, film and television scores, videogame soundtracks, and more using both traditional and improvisational techniques.

  • Recording, musical


  • Authors: Jean-Pierre Briot (2020)

  • This book is a survey and analysis of how deep learning can be used to generate musical content. The authors offer a comprehensive presentation of the foundations of deep learning techniques for music generation. They also develop a conceptual framework used to classify and analyze various types of architecture, encoding models, generation strategies, and ways to control the generation.

  • Recording, musical


  • Authors: Eduardo Reck Miranda (2002)

  • Previously published as Computer Sound Synthesis for the Electronic Musician, this second edition features a foreword by Jean-Claude Risset and provides new information on: the latest directions in digital sound representation , advances in physical modelling techniques; granular and pulsar synthesis; PSOLA technique; humanoid voice synthesis; artificial intelligence; evolutionary computing.

  • Recording, acoustical


  • Authors: John Rink (1998)

  • This handbook re-evaluates the concertos against the traditions that shaped them so that their many outstanding qualities can be fully appreciated. It describes their genesis, Chopin's own performances and his use of them as a teacher.

  • Recording, musical


  • Authors: Amedeo Balbi (2010)

  • Ever since its infancy, humankind has been seeking answers to some very basic and profound questions. Did the Universe begin? If it did, how old is it, and where did it come from? What is its shape? What is it made of? Fascinating myths and brilliant in- itions attempting to solve such enigmas can be found all through the history of human thought.

  • Recording, musical


  • Authors: Philippe Guillaume (2013)

  • The topics that are treated include sound propagation, Fourier and time-frequency analysis, psychoacoustics, analog and digital signal processing theory, computer science and MP3 sound compression, and of course ...music!

  • Recording, musical


  • Authors: Allan F. Moore (2003)

  • The books presents a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk) and deals with issues as broad as methodology, modernism, postmodernism, Marxism and communication.