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  • Book


  • Authors: Joe Jeff Goldblatt (2002)

  • In this Third Edition of his definitive guide to the profession, Dr. Joe Goldblatt, CSEP, imparts the logistical know--how and the theoretical understanding needed to take advantage of the countless opportunities in this rapidly growing field. From developing the event vision to managing vendor contracts, from event advertising to the latest in event management technology, Dr. Goldblatt provides authoritative guidance on every aspect of this complex and demanding profession.

  • Recording, musical


  • Authors: Andrew Bowie (2009)

  • He uses music to re-examine many ideas about language, subjectivity, metaphysics, truth and ethics, and he suggests that music can show how the predominant images of language, communication, and meaning in contemporary philosophy may be lacking in essential ways. His book will be of interest to philosophers, musicologists, and all who are interested in the relation between music and philosophy.

  • Recording, musical


  • Authors: Robert Miklitsch (2011)

  • Siren City resonates with the sounds and source music of classic American noir-gunshots and sirens, swing riffs and canaries. Along with the proverbial private eye and femme fatale, these audiovisuals are central to the noir aesthetic and one important reason the genre reverberates with audiences around the world.

  • Recording, musical


  • Authors: Tony Wigram (2002)

  • This book reflects the many components of such diversity, and is a thoroughly comprehensive guide to accessing and understanding the ideas, theory, research results and clinical outcomes that are the foundations of this field. Providing a detailed insight into the field of music therapy from an international perspective, this book enables the reader to see the complete picture of the multifaceted and fascinating world that is music therapy.

  • Recording, musical


  • Authors: Jonathan Cross (2003)

  • This Companion reflects the breadth of Stravinsky's achievement and influence in essays by leading international scholars on a wide range of topics. It is divided into three parts dealing with the contexts within which Stravinsky worked (Russian, modernist and compositional), with his key compositions (Russian, neoclassical and serial), and with the reception of his ideas (through performance, analysis and criticism). The volume concludes with an interview with the leading Dutch composer Louis Andriessen and a major re-evaluation of 'Stravinsky and Us' by Richard Taruskin.

  • Recording, acoustical


  • Authors: Roy Shuker (1994)

  • Roy Shuker's study encompasses every aspect of popular music, from the history of the record industry to concept of the musician', from rock as cultural politics to MTV. Roy Shuker examines the music press; the impact of music videos; public performance; fans and subcultures, and the nature of the pop star'. Understanding Popular Music includes case studies of contemporary icons such as Frank Zappa, Prince, Lenny Kravitz and Madonna, along with full bibliography and song listings and an annotated guide to the key texts discussed.

  • Recording, musical


  • Authors: Sebastian Schmidt (2016)

  • The present book proposes a systematic understanding about the conditions, mechanisms, influences, and processes evolving into a creative behavior in music, based on interdisciplinary perspectives of the cognitive sciences.In his research study, Sebastian Schmidt focuses on so-called musical extrapolations' processes which bring the elusive quality of music into mental existence by creating extrapolations about possible future occurring events, their musical meanings, and the interrelations of their meanings. These processes, involved while music is being listened to and composed, are defined as the result of implicit and explicit problem-solving processes which are guided in tangible ways by factors of intrinsic activities and motivation, pre-disposed and experience-based structure...

  • Recording, musical


  • Authors: Margaret Pikes (2020)

  • "Owning Our Voices offers a unique, first-hand account of working within the Wolfsohn-Hart tradition of extended voice work by Margaret Pikes, a founder member of the Roy Hart Theatre and an acclaimed voice teacher in her own right. This dynamic publication fuses Pikes' personal account of her own vocal journey as a woman within this, at times, male-dominated tradition, alongside an overview of her particular pedagogical approach to voice work, and is accompanied by digital footage of Pikes at work in the studio with artist-collaborators and written descriptions of scenarios for teaching. For the first time, Margaret Pikes' uniquely holistic approach to developing the expressive voice through sounding, speech, song and movement has been documented in text and on film, offering reade...

  • Recording, musical


  • Authors: Andrew Hagerman (2005)

  • This book eases beginning musicians through that first crucial step into the larger world of digital production. Utilizing the most basic of materials, all included on the CD-ROM, to their greatest advantage, this book guides readers through the process of building a finished product.