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  • Sách/Book


  • Authors: Jamey Aebersold (2013)

  • This booklet is designed to give you the basics which you will need in order to learn the art of improvising in music

  • Sách/Book


  • Authors: Brendan Anthony (2023)

  • Music Production Cultures draws on interviews with international educators, surveys completed by students of music production from around the globe, doctoral research findings and contextualised career experiences from the author as a celebrated music producer to explore how effective learning environments can be created for popular music production in higher education. Acknowledging the musical, technological and social diversity in global popular music production practice, this book highlights the integral elements that educators and their institutions must consider in order to provide high quality and relevant education for the students of today and into the future. Offering concepts, approaches and practices to be integrated into diverse music production pedagogical frameworks i...

  • Sách/Book


  • Authors: Ed Ward (2019)

  • Volume 2 kicks off. Chronicling the years 1964 through the mid-1970s, this latest volume covers one of the most exciting eras of rock history, which saw a massive outpouring of popular and cutting-edge music.

  • Sách/Book


  • Authors: Dave Stewart (1999)

  • This one takes a wider view, with chapters on MIDI, composition and improvisation. The examination of chords and chord voicings initiated in the first book continues, along with further studies of chord sequences, rhythm, drumming, tempo and tonality, and a glossary of musical terms, signs and symbols. If you like, this is a slightly more advanced companion to my first offeringbut really, both books have the same purpose: to throw some light on the terminology, written language and celestial mechanics of music, and (more importantly) to encourage readers not just to read music, but to write some of their own.

  • Sách/Book


  • Authors: Robert Wilsmore (2022)

  • Coproduction is dedicated specifically to the study of an emerging field in music production musicology. It explores the limits of what this field might be, from the workings of a few individuals producing music together in the studio, to vast contributions of whole societies producing popular music. Taking a wide-ranging approach to examining the field, Coproduction looks through multiple formats including essays, interviews and case studies, with analysis and commentary of coproduction experiences at Abbey Road studios. It does so by examining multiple disciplines from social science and coproduction in mental health, to philosophy and mathematics. At its extremes (which is the extreme middle and not the blunt 'cutting edge') the authors attempt to produce every song in their deve...

  • Sách/Book


  • Authors: Jones, Emily (2023)

  • Feminist approaches to international law have been mischaracterised by the mainstream of the discipline as being a niche field that pertains only to women's lived experiences and their participation in decision-making processes. Exemplifying how feminist approaches can be used to analyse all areas of international law, this book applies posthuman feminist theory to examine the regulation of new and emerging military technologies, international environmental law and the conceptualisation of the sovereign state and other modes of legal personality in international law

  • Sách/Book


  • Authors: Nguyễn Trung Kiên (2014)

  • Trình bày các nguyên tắc sư phạm thanh nhạc; phương pháp chuyên ngành theo trường phái Bel canto: kỹ thuật về hơi thở ngực, thở ngực dưới kết hợp với bụng; kỹ thuật hát cantilena, staccto, passage, crescendo, decrescendo; phương pháp dạy học theo hướng tích hợp nội dung dạy học thanh nhạc...

  • Sách/Book


  • Authors: Mark Everist (2017)

  • Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections

  • Sách/Book


  • Authors: Graw, Stephen (2021)

  • This edition provides a completely up-to-date and enhanced coverage of the law of contract with a continued emphasis on explaining how the courts apply the law in practice in the cases before them. It remains an easy to read, easy to understand text and reference book