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  • TVS.003081_Fast Forward Classic Metal_1997_1.pdf.jpg
  • Recording, musical


  • Authors: Phil Mulford (1997)

  • Play authentic heavy metal bass lines. Learn five great songs by Guns N' Roses, AC/DC, Metallica, and more. CD matches the book with audio tracks both with and without bass lines.

  • TVS.006531_(The Cambridge History of Music) Simon P. Keefe - The Cambridge History of Eighteenth-Century Music-Cambridge University Press (2009)-TT.pdf.jpg
  • Sách/Book


  • Authors: Simon P. Keefe (2009)

  • The Cambridge History of Eighteenth-Century Music provides a comprehensive survey, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organised by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century.

  • TVS.006532_Edited by Jim Samson - The Cambridge History of Nineteenth-Century Music-Cambridge University Press (2002)-TT.pdf.jpg
  • Sách/Book


  • Authors: Jim Samson (2001)

  • The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries.

  • TVS.006534_Tim Carter, John Butt (eds.) - The Cambridge History of Seventeenth-Century Music-Cambridge University Press (2005)-TT.pdf.jpg
  • Sách/Book


  • Authors: Tim Carter (2005)

  • Contributors explore new aspects of composition and performance in this comprehensive examination of the repertory, institutions, performers, composers, and social and cultural world of one of the greatest moments in music history. They consider the cosmopolitan nature of music making; emergence of markets for musical activity; and development of new musical styles and gestures. The work also contains a separate chronology and dictionary-style entries on individuals, places and institutions.