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  • P-adic Numbers, p-adic Analysis, and Zeta-Functions

    • Authors: Neal Koblitz (1984)

  • The first edition of this work has become the standard introduction to the theory of p-adic numbers at both the advanced undergraduate and beginning graduate level. This second edition includes a deeper treatment of p-adic functions in Ch. 4 to include the Iwasawa logarithm and the p-adic gamma-function, the rearrangement and addition of some exercises, the inclusion of an extensive appendix of answers and hints to the exercises, as well as numerous clarifications.
  • Recording, musical

  • Improvising Jazz Piano

    • Authors: John Mehegan (1985)

  • A book which will prove of immense value to both professional pianists and serious students of jazz piano! John Mehegan had a distinguished career both as a jazz educator and writer on jazz piano and its technique. He taught atthe Metropolitan Music School in New York and was also jazz instructor at the Juilliard School of Music. He was for several years the jazz critic for the New York Herald Tribune.
  • Recording, musical

  • Electronic Music Circuits

    • Authors: Barry L. Klein (1982)

  • In Chapter 1 some basic sound and synthesizer characteristics are discussed, along with some of the typical signal level and control voltage specifications. In Chapter 2 basic power supplies are explained, along with a number of designs that can be used in a synthesizer. Keyboards are covered in. Chapter 3 and different types of controllers and control voltage generators, such as joysticks, pressure-sensitive controllers, envelope generators, and ribbon controllers are discussed.
  • Recording, musical

  • Music for More Than One Piano : An Annotated Guide

    • Authors: Maurice Hinson (1983)

  • In an alphabetic listing by composer, this guide describes works for two or more keyboard instruments composed mainly since 1700. The range of combinations is considerable: works for two, three, four, or more pianos; for two or more pianos with other instruments, voice, or tape; for piano and harpsichord; for two player pianos; and for two pianos tuned a quarter-tone apart. There are compositions to be performed on two pianos by one, two, three, and four players, as well as one work for two players, two left hands.
  • Recording, musical

  • The jazz piano book

    • Authors: Mark Levine (1989)

  • This book presents all the information a student of jazz piano needs in an easy-to-understand, yet thorough, manner. For intermediate to advanced pianists, written by one of the acknowledged masters of jazz piano playing
  • Recording, musical

  • The developmental psychology of music

    • Authors: David J. Hargreaves (1986)

  • This book sets out the psychological basis of musical development in children and adults. The study has two major objectives: to review the research findings, theories and methodologies relevant to the developmental study of music; and to offer a framework within which these can be organised so as to pave the way for future research.
  • Recording, musical

  • Classical Music: Expression, Form, and Style

    • Authors: Leonard Gilbert Ratner (1980)

  • This book undertakes to define these principles. It offers a set of critieria, drawn from musical analysis and theoretical treatises of the late 18th century, that can serve as guidelines for the investigation of classic music.