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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Andrew B. Armstrong | - |
| dc.date.accessioned | 2024-08-03T08:21:10Z | - |
| dc.date.available | 2024-08-03T08:21:10Z | - |
| dc.date.issued | 2019 | - |
| dc.identifier.uri | http://thuvienso.thanglong.edu.vn//handle/TLU/10519 | - |
| dc.description.abstract | The most clearly identifiable and popular form of Japanese hip-hop, "ghetto" or "gangsta" music has much in common with its corresponding American subgenres, including its portrayal of life on the margins, confrontational style, and aspirational "rags-to-riches" narratives. Contrary to depictions of an ethnically and economically homogeneous Japan, gangsta J-hop gives voice to the suffering, deprivation, and social exclusion experienced by many modern Japanese. 24 Bars to Kill offers a fascinating ethnographic account of this music as well as the subculture around it, showing how gangsta hip-hop arises from widespread dissatisfaction and malaise. | vi |
| dc.language.iso | en | vi |
| dc.subject | Rap (Music) | Rap (Music) | Gangsta rap (Music) | Working class | Working poor | Crime | Gangs | Âm nhạc | vi |
| dc.title | 24 bars to kill : hip hop, aspiration, and Japan's social margins | vi |
| dc.type | Sách/Book | vi |
| Appears in Collections | Âm nhạc | |
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